On 4 August 2025, we paid tribute to Perec Willenberg – a painter and to his son, Samuel – a sculptor, Holocaust survivor, participant of the 1943 Treblinka revolt, and the veteran of the Warsaw Uprising.
Flowers were laid at the plaque commemorating Perec and Samuel Willenberg by the Deputy President of the IPN, Mateusz Szpytma, the representatives of the IPN Office of International Cooperation and Ada Krystyna Willenberg, Samuel's widow.
The ceremony was held as part of the commemorative events marking the 81st anniversary of the outbreak of the Warsaw Uprising and the 82nd anniversary of the rebellion of prisoners at the Treblinka death camp. On 2 August 1943, prisoners of Treblinka II German extermination camp made an attempt to set the camp on fire, and get free. It was one of the most important acts of resistance by Jews during the Holocaust. Ada Willenberg and the IPN representatives also attended an event commemorating the revolt held on the grounds of the former Treblinka death camp.
The plaque on 60 Marszałkowska Street in Warsaw was funded by the IPN and unveiled in 2023. In this building a Polish-Jewish painter Perec Willenberg stayed during the Warsaw Uprising. Some of the tenants believed that the drawing he created, the head of Jesus Christ with the words "Jesus, I Trust In You” had something to do with the fact that 60 Marszałkowska Street was the only house in the immediate vicinity to remain intact.
At that time his son, Samuel Willenberg was fighting against the Germans during the Warsaw Uprising, and in this house, he had met with his father a year earlier following his escape from Treblinka. Decades later Samuel, an artist in his own right created a series of moving sculptures depicting scenes and people he had witnessed in Treblinka.
In 2020, the IPN initiated an exhibition and educational project on the basis of sculptures by Samuel Willenberg, depicting people and situations he remembered particularly vividly during his imprisonment at Treblinka. These unique sculptures, constituting the world heritage of the Holocaust, were brought by the IPN from Israel for the purposes of the project.
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This message calls for action, but not only as a trace of life in hiding, more palpable that Szpilman’s soundless music; it’s a reminder of an uprising by people who rose against all odds; it’s a remainder of a talent doomed to extermination just because it was Jewish; it’s a memento of German destruction of Warsaw, preserved in a house that stood while so many others around crumbled. It’s a message that ought to be carried on.
Visit our collected content on that subject: https://tiny.pl/qmwvh8pn







